Jesse’s Girl green, turquoise & copper eye make up look
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Turquoise Rainbow Vase $10.95 This small turquoise vase will brighten any windowsill, shelf or sideboard. |
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Turquoise Plant Pots $35 A set of three antiqued, ceramic planters in turquoise. Ideal for planting herbs on the kitchen window sill or as a group of planters on the patio. |
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Ducklings, Turquoise and Green $305 Ducklings, Turquoise and Green |
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Copper ‘HOME’ Letters $95 These copper coloured letters are perfect for hanging on the wall or stacking to create a real statement in your home. |
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Polished Copper Factory/School Light $250 In polished, unlacquered copper, these factory style lights are painted white inside and look fantastic in rows.E27 (screw) bulb – max 100W. |
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Turquoise With Green Trim Briefs $8.5 Keep it short and sweet in this turquoise with green trim brief. |
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Turquoise $76.47 High Quality Content by WIKIPEDIA articles Turquoise is an opaque, bluetogreen mineral that is a hydrous phosphate of copper and aluminium, with the chemical formula CuAl6(PO4)4(OH)84H2O. It is rare and valuable in finer grades and has been prized as a gem and ornamental stone for thousands of years owing to its unique hue. In recent times turquoise, like most other opaque gems, has been devalued by the introduction of treatments, imitations, and synthetics onto the market. The substance has been known by many names, but the word turquoise was derived around the 16th century from the French language turquie, for Iranian material which was early imported through Turkey. Author: Surhone, Lambert M./ Timpledon, Miriam T./ Marseken, Susan F. Binding Type: Paperback Number of Pages: 122 Publication Date: 2010/06/14 Language: English Dimensions: 5.98 x 9.01 x 0.28 inches |
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The Supreme Nest of Table $250 This trio of metal tables in turquoise, petroleum and ash green are a cute addition to indoor or outdoor spaces. Whether accessorised separately; or together |
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Orange, Green & Turquoise Squares $59.99 Orange, Green & Turquoise Squares. REAL.BIG. Fathead Wall Graphics. |
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Orange, Green, Turquoise Polka Dots $59.99 Orange, Green, Turquoise Polka Dots – Wall Decal |
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The Norma Wire Bar Stool $135 With its minimal lines, our colour pop turquoise iron bar stool brings a touch of Miami glamour to your deco. |
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Orange, Green & Turquoise Peace Signs $59.99 Orange, Green & Turquoise Peace Signs. REAL.BIG. Fathead Wall Graphics. |
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Silver Charm Murano Glass, Turquoise/Green leaves $40 Silver Charm Murano Glass, Turquoise/Green leaves |
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Silver Charm Murano Glass,Turquoise/Green stripes $40 Silver Charm Murano Glass,Turquoise/Green stripes |
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Silver Charm Murano Glass,Turquoise/Green flowers $40 Silver Charm Murano Glass,Turquoise/Green flowers |
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14 2oz. Pearlized-Pearl CREATEX AIRBRUSH PAINT COLOR SET-KIT $38.99 CRE 5301 – Pearl Purple, CRE 5302 – Pearl Magenta, CRE 5303 – Pearl Turquoise, CRE 5304 – Pearl Blue, CRE 5305 – Pearl Green, CRE 5306 – Pearl Copper, CRE 5307 – Pearl Satin Gold, CRE 5308 – Pearl Silver, CRE 5309 – Pearl Red, CRE 5310 – Pearl White, CRE 5311 – Pearl Pineapple, CRE 5312 – Pearl Tangerine, CRE 5313 – Pearl Lime, CRE 5314 – Pearl Plum, Plus: CRE 5618-2Z 2-oz. Createx Cleaner. TCP MIX-100 Package of 100 1 Ounce Plastic Mixing Cups. Pearlized Type Colors: Covers both light and dark colored surfaces. Colors have a shimmering metallic finish. Mix with other pealized, transparent, fluorescent, iridescent, and chameleons. |
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African Pottery: Egyptian Faience, Michael Cardew, H. V. Meyerowitz $8.59 Purchase includes free access to book updates online and a free trial membership in the publisher’s book club where you can select from more than a million books without charge. Excerpt: Egyptian faience is a non-clay based ceramic displaying surface vitrification which creates a bright lustre of various blue-green colours. Having not been made from clay it is often not classed as pottery. It is called “Egyptian faience” to distinguish it from faience, the tin glazed pottery associated with Faenza in northern Italy. Egyptian faience, both locally produced and exported from Egypt, occurs widely in the ancient world, and is well known from Mesopotamia, the Mediterranean and in northern Europe as far away as Scotland. From the inception of faience in the archaeological record of Ancient Egypt, the elected colors of the glazes varied within an array of blue-green hues. Glazed in these colours, faience was perceived as substitute for blue-green materials such as turquoise, found in the Sinai peninsula, and lapis lazuli, from Afghanistan. As early as the Predynastic graves at Naqada, Badar,el-Amrah, Matmar, Harageh, Avadiyedh and El-Gerzeh, glazed steatite and faience beads are found associated with these semi-precious stones. The association of faience with turquoise and lapis lazuli becomes even more conspicuous in Quennou’s funerary papyrus, giving his title as the director of overseer of faience-making, using the word which strictly means lapis lazuli, which by the New Kingdom had also come to refer to the ‘substitute’, faience. The symbolism embedded in blue glazing could recall both the Nile, the waters of heaven and the home of the gods, whereas green could possibly evoke images of regeneration, rebirth and vegetation. The discovery of faience glazing has tentatively been associated with the copper industry: bronze scale and corrosion products of leaded copper objects are found in the manufacture of faience pigments. Howeve… More: |
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Beadsmith Super-Lon Nylon Bead #18 Cord Lights Mix 42385 $10.85 Brand: Beadsmith Style: Nylon Bead Cord Size: 77 Yards Color: Light Colors Quantity: 1 Condition: New and Unused 51 Colors Sold Separately:Avocado, Black, Blue, Blush, Brown, Bright Coral, Bronze, Capri Blue, Carolina Blue, Cocoa, Copper, Cream, Coral Pink, Chartreuse, Dark Red, Dark Teal, Evergreen, Gold, Green, Grey, Golden Yellow, Khaki, Lavender, Dark Lavender, Light Brown, Light Copper, Light Gold, Light Grey, Light Khaki, Light Orchid, Light Pink, Medium Brown, Medium Purple, Magenta, Marigold, Montana, Navy, Natural, Olive, Orange, Orchid, Peridot, Pink, Plum, Pastel Mint Green, Purple, Pumpkin, Pale Yellow, Rose, Rust, Sand, Sky Blue, Sienna, Silver, Shanghai Red, Sunlight, Teal, Turquoise, Violet, Vintage Jade, Wineberry, White, Wine, Winette Disclaimers: The photograph may not clearly reflect the exact color as listed due to the camera, the lighting and other factors such as your screen settings |
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Crayola Washable Glitter Glue Pens .35 Ounce 5/Pkg-Multicolor $1.97 Add the perfect sparkle to any arts and crafts project or gift package with Crayola Glitter Glue. Washable glue can be washed from skin and most children’s clothing. The Set of 5 Bold .35 fl. oz. Glitter Glue Tubes includes red, green, silver, gold, and blue. The Set of 9 Bold includes these colors plus white/clear, turquoise, copper, and dark pink. The Set of 5 Multicolor includes multicolored combinations of purple, blue, red, gold, and pink and the Set of 5 Super Sparkle includes dazzling colors with extra sparkle of yellow, red, blue, green, and white/clear . Recommended for ages 4+. |
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Crayola Washable Glitter Glue Pens .35 Ounce 5/Pkg-Super Sparkle $1.99 Add the perfect sparkle to any arts and crafts project or gift package with Crayola Glitter Glue. Washable glue can be washed from skin and most children’s clothing. The Set of 5 Bold .35 fl. oz. Glitter Glue Tubes includes red, green, silver, gold, and blue. The Set of 9 Bold includes these colors plus white/clear, turquoise, copper, and dark pink. The Set of 5 Multicolor includes multicolored combinations of purple, blue, red, gold, and pink and the Set of 5 Super Sparkle includes dazzling colors with extra sparkle of yellow, red, blue, green, and white/clear . Recommended for ages 4+. |
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HEART 4 HEART AST. $31.24 Capture the colorful warmth of Mexico with our Hearts for Hearts Consuelo Doll – Mexico! Like all Hearts For Hearts Girls dolls, Consuelo stands 14 inches high and has a posable, smooth vinyl body, and high-quality rooted hair for hours of doll play. Her hair is a waist-length fall of shining black and her eyes are deep brown with copper highlights. Consuelo comes dressed in a ruffled, lace-trimmed turquoise skirt and a lime-green blouse with lively floral embroidery on the collar. The Hearts for Hearts Consuelo Doll – Mexico includes: Silvery hoop earrings strung with bright beads Color-coordinated bangle bracelets Gauzy tropical flower and ribbon hair band in hot pink Bright pink shoes with silky ribbon ties Doll-sized hair comb Girl-sized heart charm bracelet Beautiful mini storybook about Consuelo’s life The Hearts for Hearts Girls brand launches with a line of dolls targeted for young girls to make a difference in the world around them. Each doll character is an advocate for a cause that will better her community and make a positive impact on the world. The initial launch of six dolls feature girls from different countries around the globe. Through this line of dolls we teach tolerance, a sense of global awareness, compassion and empowerment. With the purchase of Hearts for Hearts Girls product, donations will be made to non-profit organizations that benefit communities represented by these dolls. |
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Hanes Tagless Cotton T-Shirt – Short Sleeve (For Men and Women) $11 2NDS, barely perceptible blemishes. You can count on Hanes’ Tagless pre-shrunk cotton T-shirt for long-wearing quality and comfort. Tagless style is itch-free Preshrunk cotton maintains size wash after wash Short sleeves Length: 29" Fabric: At least 90% cotton, remainder polyester Care: Machine wash/dry Made in Honduras, Mexico, Domican Republic, Haiti or Nicaraqua Unisex sizing, women order one size smaller. Colors (44), (48), (60) and (61) are 60% cotton, 40% polyester. Available Colors: YELLOW, DARK PINK, 75, STORM BLUE, MOSS GREEN, COPPER, ROYAL, RED, STONEWASHED BLUE, FORREST GREEN, WHITE, TAN, ORANGE, NAVY, GREY HEATHER, BLACK, 11, YELLOW GREEN, BRIGHT GOLD, GOLD, GREY, BROWN, LIGHT PURPLE, PURPLE, 19, TURQUOISE, NATURAL, MEDIUM GREEN, BURGUNDY, 24, RUST, ASH, LIGHT BLUE, LIGHT BROWN, OLIVE, SAFETY ORANGE, PINK, DENIM BLUE, TEAL, DARK GREY, MEDIUM BLUE, 37, FUSCHIA, DARK CHOOCOLATE, FATIGUE GREEN, PALACE BLUE, LIGHT PINK, OXFORD GREY, CAROLINA BLUE, STONEWASHED GREEN, 47, CHARCOAL, 49, WINE, KELLY GREEN, LIGHT STEEL, FLUORESCENT GREEN, BURNT ORANGE, 56, SAFETY GREEN, 58, CARDINAL, BLUE HEATHER, BROWN HEATHER. Sizes: S, M, L, XL, 2XL, 3XL, 4XL, XS, 5XL. |
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Iridescent Artist’s Paintstiks 12/Pkg-Assorted Colors $53.02 SHIVA-12 solid paints in stick form. Iridescent professional grade. Non-toxic fade proof permanent and dries in 24 hours. Each stick is 4-1/2×5/8. This oil color is a real oil paint in solid form. Dries to a flexible film. The colors are completely compatible and can be blended with any oil paints. They are self-sealing. There are no unpleasant odors or fumes so you can paint virtually anywhere at any time on almost any surface: canvas paper wood plastic metal and fabric. Easy clean-up with Signa-Turp or Rectified Turpentine. Conforms to ASTM D4236. Colors include: iridescent white iridescent orange iridescent red iridescent pink turquoise iridescent blue iridescent green iridescent purple charcoal copper gold and silver. |
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Iridescent Mini Paintstiks Assortment- $53.02 SHIVA-Artist’s Paintstik: Iridescent Oil Mini Assortment. These paint sticks are real oil paints in a solid form. Features: compatible and blendable with any oil paints; dry in 24 hours to a flexible film; spreadable with finger; brush; or palette knife; self-sealing so they never dry out; no odors or fumes; for use on canvas; paper; wood; plastic; metal; and fabric; easy clean up with turpentine; iridescent colors that shimmer and glow with a life of their own; permanent; fadeproof; conforms to ASTM D4236 (non-toxic). Includes fifteen mini sticks: 1-1/2×3/4in. and one large: 4-5/8×3/4 in. Colors: Pearl White; Charcoal; Silver; Red; Pink; Gold; Orange; Bark Blue; Turquoise; Purple; Green; Leaf Green; Brown; Copper; light Gold; and a large Iridescent Blender. Made in USA. |
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L.A. Colors Art Deco Nail Art Polish – 24 pcs. – Set #2 $39 L.A. Colors Art Deco Nail Art, the most popular brand with the widest selection of colors. Nail Art is to be used on top of your base nail color for decorating and creating your own unique or signature designs. See our DL Professional tools that go beyond the included precision brush in the cap. It’s easy to add style and dimension to your plain nail color! Displays and stickers not included….. Limon, Hi-Lite, Poppin’ Pink, Wild Fuchsia, Dee Lite, Aqua, Flamingo, Quirky Turquoise, Gold Rush, Sea Foam Green, Metallic Pink, Flammin’, Sapphire, Orchid Glitter, Ice Breaker, 24K Glitter, Lime Glitter, Copper Glitter, Rainbow Glitter, Teal Glitter, Purple Blue Glitter, Tropical, Tangerine, and Vibrant. |
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Lodge Tiffany Floral Animals Loon Stained Glass Window $348.99 MEY2581: Features: -Glass window.-Black and white loon floats on sparkling turquoise waters beside marsh green grasses.-Stained art glass encased in a solid brass frame. Includes: -Mounting bracket and chain are included. Construction: -Handsome window is handcrafted utilizing the copper foil construction process. Dimensions: -Overall dimensions: 17” H x 40” W. |
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MINU Jewels Copper Turquoise Necklace – Blue-Green $138 This rustic look of copper mixed with turquoise jasper, perfect for any casual outfit. |
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Materials For Permanent Painting $21.53 Purchase of this book includes free trial access to www.million-books.com where you can read more than a million books for free.This is an OCR edition with typos.Excerpt from book:CHAPTER II THE PIGMENTS USED BY THE ANCIENTS THE permanence of the old paintings is entirely due to the fact that the painters had very few pigments to work with, and practically all of them were native earths which were in many instances exceedingly brilliant. The lapis lazuli which is the same thing as our ultramarine blue of to-day occurs in nature, and varies in shade from a greenish sky blue to a dark ultramarine. The selection of various shades of this most permanent pigment gave to all the painters who used it a” blue which has not been surpassed. For the yellow pigments there were ample yellow earths in the form of ochre and sienna, which while not very brilliant were sufficiently bright for all purposes. The white effect about the gesso paintings was produced by whiting and gypsum, and as white lead was known 400 B. C, either as an artificial product or as a mineral known as cerusite which is a native carbonate of lead, the use of this pigment was well known and largely practiced, although its defects were noted by nearly every one of the early writers. As far as green is concerned, there were several varieties of minerals that furnished green, principally malachite, which is a form of carbonate of copper, and no doubt when properly glazed was found to be amply permanent, although sulphur gases affected it. In addition to these pigments they had Grecian green or Graecum which the French later on called verte de grece, from which the term verdigris is derived. Whether this was metallic copper subjected to vinegar as we now know it, or ‘whether it was the turquoise mineral or clayey earth stained with phosphate of copper, as may have been the case, it is difficult to say, for the verdigris that we know in modern art is transparent, and has the qualities of a … |
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Materials For Permanent Painting $26.75 Purchase of this book includes free trial access to www.million-books.com where you can read more than a million books for free.This is an OCR edition with typos.Excerpt from book:CHAPTER II THE PIGMENTS USED BY THE ANCIENTS THE permanence of the old paintings is entirely due to the fact that the painters had very few pigments to work with, and practically all of them were native earths which were in many instances exceedingly brilliant. The lapis lazuli which is the same thing as our ultramarine blue of to-day occurs in nature, and varies in shade from a greenish sky blue to a dark ultramarine. The selection of various shades of this most permanent pigment gave to all the painters who used it a” blue which has not been surpassed. For the yellow pigments there were ample yellow earths in the form of ochre and sienna, which while not very brilliant were sufficiently bright for all purposes. The white effect about the gesso paintings was produced by whiting and gypsum, and as white lead was known 400 B. C, either as an artificial product or as a mineral known as cerusite which is a native carbonate of lead, the use of this pigment was well known and largely practiced, although its defects were noted by nearly every one of the early writers. As far as green is concerned, there were several varieties of minerals that furnished green, principally malachite, which is a form of carbonate of copper, and no doubt when properly glazed was found to be amply permanent, although sulphur gases affected it. In addition to these pigments they had Grecian green or Graecum which the French later on called verte de grece, from which the term verdigris is derived. Whether this was metallic copper subjected to vinegar as we now know it, or ‘whether it was the turquoise mineral or clayey earth stained with phosphate of copper, as may have been the case, it is difficult to say, for the verdigris that we know in modern art is transparent, and has the qualities of a … |
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Materials For Permanent Painting $19.99 Purchase of this book includes free trial access to www.million-books.com where you can read more than a million books for free.This is an OCR edition with typos.Excerpt from book:CHAPTER II THE PIGMENTS USED BY THE ANCIENTS THE permanence of the old paintings is entirely due to the fact that the painters had very few pigments to work with, and practically all of them were native earths which were in many instances exceedingly brilliant. The lapis lazuli which is the same thing as our ultramarine blue of to-day occurs in nature, and varies in shade from a greenish sky blue to a dark ultramarine. The selection of various shades of this most permanent pigment gave to all the painters who used it a” blue which has not been surpassed. For the yellow pigments there were ample yellow earths in the form of ochre and sienna, which while not very brilliant were sufficiently bright for all purposes. The white effect about the gesso paintings was produced by whiting and gypsum, and as white lead was known 400 B. C, either as an artificial product or as a mineral known as cerusite which is a native carbonate of lead, the use of this pigment was well known and largely practiced, although its defects were noted by nearly every one of the early writers. As far as green is concerned, there were several varieties of minerals that furnished green, principally malachite, which is a form of carbonate of copper, and no doubt when properly glazed was found to be amply permanent, although sulphur gases affected it. In addition to these pigments they had Grecian green or Graecum which the French later on called verte de grece, from which the term verdigris is derived. Whether this was metallic copper subjected to vinegar as we now know it, or ‘whether it was the turquoise mineral or clayey earth stained with phosphate of copper, as may have been the case, it is difficult to say, for the verdigris that we know in modern art is transparent, and has the qualities of a … |
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Materials For Permanent Painting $16.76 Purchase of this book includes free trial access to www.million-books.com where you can read more than a million books for free.This is an OCR edition with typos.Excerpt from book:CHAPTER II THE PIGMENTS USED BY THE ANCIENTS THE permanence of the old paintings is entirely due to the fact that the painters had very few pigments to work with, and practically all of them were native earths which were in many instances exceedingly brilliant. The lapis lazuli which is the same thing as our ultramarine blue of to-day occurs in nature, and varies in shade from a greenish sky blue to a dark ultramarine. The selection of various shades of this most permanent pigment gave to all the painters who used it a” blue which has not been surpassed. For the yellow pigments there were ample yellow earths in the form of ochre and sienna, which while not very brilliant were sufficiently bright for all purposes. The white effect about the gesso paintings was produced by whiting and gypsum, and as white lead was known 400 B. C, either as an artificial product or as a mineral known as cerusite which is a native carbonate of lead, the use of this pigment was well known and largely practiced, although its defects were noted by nearly every one of the early writers. As far as green is concerned, there were several varieties of minerals that furnished green, principally malachite, which is a form of carbonate of copper, and no doubt when properly glazed was found to be amply permanent, although sulphur gases affected it. In addition to these pigments they had Grecian green or Graecum which the French later on called verte de grece, from which the term verdigris is derived. Whether this was metallic copper subjected to vinegar as we now know it, or ‘whether it was the turquoise mineral or clayey earth stained with phosphate of copper, as may have been the case, it is difficult to say, for the verdigris that we know in modern art is transparent, and has the qualities of a … |
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Materials For Permanent Painting: A Manual For Manufacturers, Art Dealers, Artists And Collectors (1911) $33.56 Purchase of this book includes free trial access to www.million-books.com where you can read more than a million books for free.This is an OCR edition with typos.Excerpt from book:CHAPTER II THE PIGMENTS USED BY THE ANCIENTS THE permanence of the old paintings is entirely due to the fact that the painters had very few pigments to work with, and practically all of them were native earths which were in many instances exceedingly brilliant. The lapis lazuli which is the same thing as our ultramarine blue of to-day occurs in nature, and varies in shade from a greenish sky blue to a dark ultramarine. The selection of various shades of this most permanent pigment gave to all the painters who used it a” blue which has not been surpassed. For the yellow pigments there were ample yellow earths in the form of ochre and sienna, which while not very brilliant were sufficiently bright for all purposes. The white effect about the gesso paintings was produced by whiting and gypsum, and as white lead was known 400 B. C, either as an artificial product or as a mineral known as cerusite which is a native carbonate of lead, the use of this pigment was well known and largely practiced, although its defects were noted by nearly every one of the early writers. As far as green is concerned, there were several varieties of minerals that furnished green, principally malachite, which is a form of carbonate of copper, and no doubt when properly glazed was found to be amply permanent, although sulphur gases affected it. In addition to these pigments they had Grecian green or Graecum which the French later on called verte de grece, from which the term verdigris is derived. Whether this was metallic copper subjected to vinegar as we now know it, or ‘whether it was the turquoise mineral or clayey earth stained with phosphate of copper, as may have been the case, it is difficult to say, for the verdigris that we know in modern art is transparent, and has the qualities of a … |
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POP Beauty – Eye Cake $19 “With POP Beauty – Eye make-up has never been easier! Green Eyes – Use these five funky shades to bring out the green in your eyes, but only if you are prepared for attention! Brown Eyes – Use these five perfect shades to enhance brown & hazel eyes, for that smouldering sexy look! Blue Eyes – Use these five fab shades to enhance your blue eyes, for the flirtiest look in town! Naked Green Eyes – Eye make-up has never been prettier! 5 x next to nothing, green & hazel-eye enhancing easy to wear naturals. Wear each color solo or in sync. Naked Blue Eyes – Eye make-up has never been prettier! 5 x next to nothing, blue-eye enhancing easy to wear naturals. Wear each color solo or in sync. Naked Brown Eyes – Eye make-up has never been prettier! 5 x next to nothing, brown-eye enhancing easy to wear naturals. Wear each color solo or in sync. Bright Greens – Vivid sparkling turquoise hues to bring out the precious HAZEL & GREEN in your eyes! 5 co-ordinates colors for mesmerizing mermaid eyes. Bright Blues – Shimmering azure tones to energize & brighten your smouldering BROWN eyes! 5 co-ordinates colors for hypnotic flamenco eyes. Bright Pinks – Va-va-voom pinks & vintage blue-grey liner will make your innocent BLUE eyes the talk of the town! 5 co-ordinates colors for seductive Lolita eyes. Violet Eyes – Glimmering lilac & violet tones for breathless beauty BLUE eyes! Eye color has never been easier – 5 co-ordinates colors to line & define. Mocha Eyes – Glimmering Tangerine & copper hues for lush show stopping BROWN eyes! Eye color has never been easier – 5 co-ordinates colors for exotic flirting. Olive Eyes – Spicy khaki’s & lavish yellow will make your GREEN & HAZEL eyes sparkle with every glance! 5 co-ordinates colors for mysterious cat eyes. Peaches – Peaches and cream, gold and gleam. Deliciously smooth concoction to enhance your brown eyes. Swish on any of these irresistible hues for a flutter of shimmering “”wow”"! Teal Eyes – Revitalize your eye makeup with this cake… |
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POP Beauty – Glitter Must-Have Kit $15 This amazing set of gorgeous glitters transforms any day look into a sparkly party look! This rainbow of bright glitters reflects the light to highlight and enhance eyes and face. They also work brilliantly mixed with nail color, hair gel or just sprinkle over body for an all over fairy sparkle. Add wow & glam to any makeover! Kit contains glitter in 12 colours: Rainbow, Silver, Benzo Blue, Turquoise, Sky Blue, Deep Green, Apple Green, Taro, Peach, Red, Gold, Bronze Copper. Directions: Dust on to skin, sprinkle over your hair or miz with nail polish or body lotion. Net Weight: 1 g/0.03 oz. (x 12) |
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POP Beauty – Tan Popper $38 Designed to add a ray of warmth & boost your tan, these bronze enhancing luminescent colours are sure to give your face that perfect POP of colour! Play up your eyes or make that complexion glow with these beaming brights & luminous bronzes all conveniently laid out for you in this versatile kit. Kit contains: 3 Cheek Shades – natural bronzer, peachy-pink blush & peachy-gold glow 9 Eye Shades – turquoise, pink, golden purple, true gold, peach gold, copper-bronze, sooty blue, chocolate glow and fresh lime green 3 Eye Pencils – black, deep blue and deep plum Duo Brush – blend & liner brush Directions: Make the most of your eyes… 1. Line your eyes; follow upper lash line with Blue eye pencil. 2. Trace over the line with Turquoise shadow and smudge into lower lash line. 3. Apply Lime shadow all over eyelid and blend into crease. 4. Finish off with several coats of mascara. Add glow to your cheeks… 1. Sweep bronzer over cheeks forehead and under chin to sculpt the face. 2. Apply highlighter to cheek, brow bone & bow of the lip. 3. Add cheek colour on the apples of the cheeks! Ingredients Ingredients: Eye Shadow: Talc, Mica, Magnesium Stearate, Caprylic/Capric Triglyceride, Kaolin, Ethylhexyl Palmitate, Phenoxyethanol, Methylparaben, Ethylparaben, Butylparaben, Propylparaben, Isobutylparaben. May Contain: Titanium Dioxide (CI 77891), Iron Oxides (CI 77499, 77492, 77491), Manganese Violet (CI 77742), Ultramarine (CI 77007), Chromium Oxide Green (CI 77288), Chromium Hydroxide Green (CI 77289), Yellow 5 Lake (CI 19140), Blue 1 Lake (CI 42090), Ferric Ferrocyanide (CI 77510), Carmine (CI 75470). Bronzer: Talc, Mica, Magnesium Stearate, Hydrogenated Polyisobutene, Dimethicone, Polybutene, Isopropyl Myristate, Caprylic/Capric Triglyceride, Phenoxyethnol, Methylparaben, Ethylparaben, Butylparaben, Propylparaben, Isobutylparaben, Tocopherol Acetate. May Contain: Titanium Dioxide (CI 77891), Iron Oxides (CI 77499, 77492, 77491. Blush: Talc, Mica, Caprylic/Capric… |